‘Rumble: The Indians Who Rocked The World’ review: Unheralded musicians take center stage

This documentary, which examines the influence of Native Americans on popular music, takes a few serious turns while remaining lively throughout.

It’s been a terrific few years for music documentaries, and that winning streak continues with “Rumble: The Indians Who Rocked the World.”

Sharing the same spirit of “20 Feet from Stardom” and “Searching for Sugar Man,” which both put overlooked performers center stage, this film examines the influence of Native Americans on popular music. What at first seems like a thin topic — quick, name two American Indian musicians — becomes a master class in the mixing of cultures.

The survey starts with guitarist Link Wray, who was Shawnee. Wray “made an indelible mark on the whole evolution of where rock ’n’ roll was going to go,” Robbie Robertson of the Band says. Wray’s 1958 single, “Rumble,” was banned from airplay in several cities amid worries that it would incite teenage gang violence (despite being a wordless, instrumental tune). Wray’s guitar line seems to echo in every power chord you’ve heard.

Movie Review

‘Rumble: The Indians Who Rocked The World,’ a documentary written and directed by Catherine Bainbridge and Alfonso Maiorana. 103 minutes. Not rated. SIFF Cinema Uptown.

The New York Times does not provide star ratings with reviews.

Charley Patton, who profoundly shaped the blues, is profiled in another section before the film moves to Mildred Bailey, Jesse Ed Davis, members of the band Redbone and others, all of whom had Indian heritage. We hear about childhoods spent listening and learning from grandparents who passed on traditions, and of discrimination encountered in the broader world.

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“Be proud you’re an Indian, but be careful who you tell,” Robertson, who is part Mohawk, says of a prevailing attitude when he was younger.

Shorter sections explore American Indian…

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